Guy GravettGuy Gravett - The Photographer, Photographed in 1950 at Southover Grange, Lewes. |
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John ChristieJohn Christie, Photographed in January 1962, who, with his wife Audrey Mildmay founded The Glyndebourne Festival Opera in 1934. |
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Magda Laszlo & Guy GravettMagda Laszlo in her dressing room prior to rehearsals for the 1953 production of Alceste. Guy Gravett is reflected in her mirror |
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Luciano Pavarotti1964 Glyndebourne Festival Opera Production of Idomeneo with Luciano Pavarotti making his UK role debut as Idamante |
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Sena JurinacSena Jurinac as The Countess in the 1955 production of Le nozze di Figaro. These are the earliest colour images taken by Guy at Glyndebourne. |
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Rehearsals for 1962 Glyndebourne production of L'incoronazione di Poppea |
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John BuryProduction designer John Bury on the set of the Glyndebourne 1972 production of Il ritorno d'Ulisse in patria |
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Elisabeth Soderstrom and Regine CrespinGlyndebourne Festival Opera 1959 - Der Rosenkavalier |
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Carl EbertFounding Artistic Director of The Glyndebourne Festival Opera, Carl Ebert, in rehearsals for his 1963 production of Pelleas et Melisande. |
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Franco Zeffirelli and Jani StrasserProducer and Designer Franco Zefirelli (left) and Jani Strasser Glyndebourne head of Music Staff, during rehearsals for the 1961 production of L'elisir d'Amore. |
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Emanuele LuzzatiDesigner Emanuele Luzzati working on his designs for the 1963 Glyndebourne Production of The Magic Flute. |
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ErteDesigner Erte working on his designs for the 1980 Glyndebourne production of Der Rosenkavalier. |
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John Christie 1960John Christie with his sculpture in progress with the sculptor Oscar Nemon 1960. |
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Carl Ebert and Osbert LancasterCarl Ebert and designer Osbert Lancaster at the costume fitting for the 1953 production of The Rake's Progress |
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Osbert LancasterOsbert Lancaster, Production Designer, oversees costume fittings for the 1953 production of The Rakes Progress |
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John ChristieJohn Christie, Founder of the Glyndebourne Festival Opera, with Lady Jebb at the British Embassy in Paris, 1958. In the background, the celebrated Photographer Jane Bown. |
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Audience Members 1957Members of the Glyndebourne Audience walking by the lake prior to the 1957 performance of Italiana in Algeri |
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Audience Members 1953Members of the Audience prior to the 1953 proudction of Alceste |
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Audience Members 1953Members of the Audience prior to the 1953 proudction of Alceste |
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Oliver MesselProduction Designer Oliver Messel in the dressing rooms prior to the 1953 production of La Cenerentola |
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Company Members in reherasals 1953Members of the Glyndebourne Chorus rehearsing in The Old Green Room for the 1953 Production of La Cenerentola |
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BBC Live Opera Broadcast 1955Preparations by the BBC for the 1955 live screening of Il Barbiere di Siviglia |
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Audience Members 1957Members of the Audience on the Croquet Lawn, 1958. It is still a tradition for members of the London Philharmonic Orchestra to play Croquet during the Long Interval. |
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Audience Members 1958Members of the Audience relaxing by The Ha-Ha prior to the 1958 performance of Falstaff |
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Audience Members 1962Members of the Glyndebourne Audience by the Lake, 1962 |
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Audiene Members and Bovine observers 1960The view back towards the Glyndebourne Theatre from the fields opposite the Ha-Ha on the opening night of the 1960 Festival |
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Audience Members 1959Members of the Glyndebourne Audience on the main lawn, 1959. |
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David Hockney and John CoxDesigner David Hockney and Director John Cox in rehearsal for the 1975 production of The Rake's Progress |
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Jonathan MillerJonathan Miller, with little regard for H&S, oversees rehearsals for his 1975 production of The Cunning Little Vixen |
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Jonathan MillerJonathan Miller in rehearsals for his 1975 production of The Cunning Little Vixen, watched by, centre, Glyndebourne Chairman Sir George Christie, and, left, Raymond Leppard, conducting. |
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Audience Members 1958 |
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Audience Members 1958Members of the Glyndebourne audience arriving at Lewes train station 1958 |
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Franco Zeffirelli 1961Production designer, Franco Zeffirelli, working on designs for his 1961 production of L'elisir d'amore |
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Audience Members 1958Members of the audience prior to the 1958 Glyndebourne performance of Le Comte Ory at the Sarah Bernhardt Theatre Paris |
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W. H. Auden 1961W.H Auden in the Organ Room at Glyndebourne during the production meeting for the 1961 production of Elegy for Young Lovers. Glyndebourne staged the world premiere of this Opera based on Auden's and Chester Kallman's English libretto. |
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Kerstin Meyer 1973Kerstin Meyer who played the role of Clairon in the 1973 production of Capriccio, outside the Old Green Room during rehearsals. |
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Roberto AlagnaRoberto Alagna in the role of Alfredo Germont in Glyndebourne Touring Opera's 1988 production of La Traviata |
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Audience Members 1965 |
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Simon Rattle in the Glyndebourne Orchestra Pit in 1977 |
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Sir Hugh Casson Photographed in 1953 |
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The Glyndebourne Executive Group in the Organ Room 1953The Glyndebourne Executive Group in the Organ Room 1953 |
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Gentlemen of The Staff on stage during a refreshments break 1953 |
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Douglas CraigAssistant General Manager Douglas Craig lecturing a group of Schoolboys on an educational visit to Glyndebourne in 1957 |
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Glyndebourne Opera House 1959 |
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Elisabeth Soderstrom and Hakan HagegardElisabeth Soderstrom and Hakan Hagegard photographed in 1973 during rehearslas for Capriccio |
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Richard Lewis CBE |
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Audience Members 1969 |
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Franco EnriquezDirector Franco Enriquez during rehearsals for the 1963 production of The Magic Flute |
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Jani Strasser and Mary CostaGlyndebourne Music Director Jani Strasser with Mary Costa, in the role of The Countess during rehearsals for the 1958 Glyndebourne production of Susannas Secret |
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Glyndebourne Opera House 1958 |
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1959 IdomeneoThe 1959 production of Idomeneo with, left, William McAlpine as Idamante and Richard Lewis as Idomeneo. |
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1957 Der Schauspieldirektor |
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1958 The Rakes ProgressThe 1958 production of The Rakes Progress with, foreground, Richard Lewis in the role of Tom Rakewell and Otakar Kraus in the role of Nick Shadow |
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Gunther RennertDirector Gunther Rennert during rehearsals for the 1959 production of Fidelio |
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Pilar LorengarPilar Lorengar in the role of The Countess in the 1959 production of Le nozze di Figaro |
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Carl EbertDirector Carl Ebert and Rosine Bredy in the role of Yniold during rehearsals for the 1962 production of Pelleas et Melisande |
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Elisabeth SoderstromElisabeth Soderstrom in the role of Oktavian in the 1959 production of Der Rosenkavalier |
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Elisabeth Soderstrom & Michel RouxElisabeth Soderstrom in the role of Susanna and Michel Roux in the role of Count Almaviva in the 1959 production of The Marriage of Figaro |
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Cosi fan tutte 1962On stage rehearsals for the 1962 production of Cosi fan tutte |
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Sir Michael RedgraveSir Michael Redgrave, Director of the 1967 production of La Boheme. |
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Geraint EvansGeraint Evans in the role of Falstaff in the 1960 production of that name. |
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Maria ZeriMaria Zeri in the role of Papagena in the 1963 production of Die Zauberflotte |
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Audience members 1969Members of the audience in the Glyndebourne gardens 1969 |
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Glyndebourne Opera House 1968An arial view of the Opera House and Gardens, 1968. |
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Audience members 1969 |
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Sir Peter HallProduction Director Peter Hall gets involved in rehearsals for the 1972 production of Il Ritorno d'Ulisse in Patria |
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Audience 1969 |
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Ariadne auf Naxos 1971Director John Cox takes rehearsals for the 1971 production of Ariadne auf Naxos |
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Huges Cuenod and Peter Ebert |
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Carl EbertCarl Ebert during rehearsals for the 1962 production of Pelleas et Melisande |